We never say, “ It’s already been broughten!” in Bring It On. Also when people do their impersonations of me in the role, I just wonder, Is that how I sounded? More people seem to remember the spoof of Isis in Not Another Teen Movie. For some people, there’s no space for Black rage. They make me the angry Black woman versus someone whose work and intellectual property has been stolen, repackaged, and used to win national championships.Ī lot of discourse around the film reiterates that it’s Torrance and her squad who stole the Clovers’ cheers and were the real villains all along. I was like, “When the fuck did I become a villain?” Why is she a villain? For wanting accountability? Does calling someone out make you a villain? When Black women ask for accountability, no matter the tone, some people hear aggression or rage. It's interesting because I once saw this poll someone made of great cinema villains and Isis was one of them. Knowing that that’s where she ended up, I just sort of worked backwards in creating a very strong, intelligent leader who was also justifiably fucking angry. I knew what it would have taken for Isis to get into U.C. Sociology is basically the study of human interaction, intergroup interaction, conflict and conflict resolution, so it influences everything I do in my career. How much did your studies there come to play into the way you approached character work? You graduated from UCLA with a degree in sociology just a few years before your career really took off with Bring It On. We each leaned into our strongest areas and were able to hide any of our flaws in the choreography.
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The really difficult parts of the Clovers’ routines that you see in the film are done by the professional cheerleaders. I don’t know if that’s because they didn’t have the budget or they just assumed we’d eventually nail the routines if we. Was there ever any discussion about using cheer doubles? The cheer scenes are shot in a way that really shows off the fact that all the actors are doing their own stunts and choreography. The shooting script was not what ended up onscreen. I just remember Peyton would be in my trailer before every scene, going, “What would Isis say here?” We kind of rewrote it as we went along, but the credited screenwriters were not a part of that dialogue. I ended up doing The Brothers and Deliver Us From Eva with Gary, so I knew he and Peyton were cool. I was talking to Peyton the other day and he said, “Do you remember when we brought in Gary Hardwick to rewrite some of the Clovers’ dialogue?” I didn’t remember that, but it made sense. Well, when we started filming, the script was in flux.
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The director, Peyton Reed, said at the time that you “found what was cool about that character in ways few actresses could,” and that the two of you talked a lot about how to approach Isis. She doesn’t need to speak in made-up, Blaxploitation dialogue. Berkeley? How did girls from Compton talk in their minds? How about we make her a very clear leader where her path to cheer justice is done with more class and dignity but also justifiable anger. There was a line in the original script that was like, “Meow! Me-gonna-ow you! My nails are long, sharp, and ready to slash!”…. How would you characterize Isis as originally written?
But it’s possible Bring It On’s biggest calling card is launching the career of a relatively unknown Gabrielle Union in one of her first major roles. The cast of breakout stars also featured Eliza Dushku and Jesse Bradford with future Ant-Man director Peyton Reed at the helm. As one of the all-time great sports films, Bring It On crystallized an entire subculture while most of the Cheer cast were still doing somersaults in diapers.īring It On starred Kirsten Dunst as T-T-T-Torrance Shipman, the San Diego Toros’ new captain attempting to lead her team to continued glory at the national cheer championships. In the two decades since its release, Mean Girls has been the only teen comedy that’s come close to matching Bring It On’s impact on the pop-cultural lexicon, spawning everything from a Broadway musical co-penned by Lin-Manuel Miranda to four direct-to-video sequels. But the legacy of Bring It On extends far beyond helping an entire generation understand the difference between jazz hands and spirit fingers. Twenty years ago this week, a bubbly sports comedy set in the cutthroat world of competitive cheerleading debuted at number one and became an immediate teen staple.